सहदेव र श्रृजना ~World of Words by Sahadev~

March 24, 2007

Improv Comedy

Filed under: Theatre world

Horse Trade Presents
A Rising Sun Performance Company Production

Solar Powered Flashlight
Short Form Improv Comedy

RSP ensemble members add one more talent to their ever expanding roster in the debut of their Improv Comedy Troupe. Joining Horse TRADE’s year of Holiday celebrations, Solar Powered Flashlight uses comedy hijinks to celebrate a variety of holidays. A one hour set of audience participation and improv favorites.

Directed by Crystal Franceshini
 Featuring Ensemble Members: Akia, Crystal Franceshini, Rob Richardson, Kelly Scanlon, Patrick Egan, Sahadev Poudel, Elizabeth Burke & Josh Hyman

 

Tickets:
$10

Saturday
February 17th
1030pm
Sunday
April 1st
7pm
Sunday
April 15th
7pm
Monday
May 21st
8pm

August 26, 2006

प्लेब्याकका सहदेव

Filed under: Theatre world

प्लेब्याकका सहदेव

नेपाली रङ्गमञ्चमा ‘५० को दशकलाई अध्ययनशील पुस् ता आगमनको दशक मानिन्छ । झन्डै सुतिरहेको रङ्गमञ्चलाई यस दशकको आरम्भदेखि नै ब्यँूताउने रङ्गकर्मीहरूमध्ये पर्छन्, सहदेव पौडेल, २७ ।

२०५२ सालमा सांस्कृतिक संस् थानमा नाटकको प्रशिक्षण लिँदा सहदेवले सोचेकासम्म पनि थिएनन्, थिएटरले एक दिन उनलाई अमेरकिाको ‘स्कुल अफ प्लेब्याक थिएटर न्युयोर्क’ सम्म पुर्‍याउला भनेर । अमेरकिामा अध्ययनरत सहदेव पछिल्लोपटक बिदाको समयमा नेपाल आउँदा सान, हातेमालो, पम्पकिनलगायतका नाट्यसंस्थाका झन्डै ५० जना रङ्गकर्मीहरूलाई प्रशिक्षण दिए । साथै, पीपलबोट प्लेब्याक थिएटर स् थापना पनि गरे । भन्छन्, "प्लेब्याक थिएटरमा दर्शकको कथा सुनी तत्कालै नाटक प्रस्तुत हुन्छ, जसले दर्शकको व्यक्तिगत कथालाई सम्मान गर्छ र आँशु रङ्गकर्मलाई प्रोत्साहन गर्छ ।"

सहदेवले नाचघरका केही साथीसँग मिलेर ०५३ सालमा आख्यान नाट्य समूह पनि खोलेका थिए । आख्यान समूहबाट उनले गोविन्द गोठालेको भोको घर, बालकृष्ण समको ऊ मरेकी छैन, रणदुल्लभ, प्रह्लाद लगायतका नाटकहरू गरे । सुरुवाती दिनमा उनले रेडियो सगर माथा मा लामो समयसम्म बालकार्यक्रम पनि चलाए । होटल बज्रस् िथत स्टुडियो सेभेनका अङ्गे्रजी नाटक मिलारेपा, पञ्चतन्त्र र महाभारत मा पनि अभिनय गर्न भ्याए ।

सहदेवलाई अमेरकिामा रहँदा त्यहाँ पलायन भएका धेरैजसो नेपाली कलाकारहरूले नेपालबाट थिएटर पढ्न आएको भनेपछि अनौठो मान्छन् रे ! भन्छन्, "धेरैजसो मलाई थिएटर छोडेर कमाउनतिर लाग पनि भन्छन् । तर, उनीहरूलाई आफ्नो उद्देश्य पैसा कमाउनुभन्दा पनि विभिन्न ठाउँहरूमा रङ्गमञ्चसम्बन्धी कामहरू ख्ाोज्नु हो भन्दा चकित पर्छन् ।"

July 5, 2006

Freedom of Acting

Filed under: Theatre world

Freedom of Acting
                                                               
                                      By    Sahadev Poudel
"All the world’s a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,"
This above  line is  taken from the Shakespeare’s play "All the
world’s is a stage".We all are real life actor. But when we go to the
stage  life will be change. Being on stage as an actor gives you lots
of responsibility and teach you to be a real human being. If you are
a good human being you could be a Actor. Hats the basic requirement
and realities of today’s actor.

Acting is a work of actor and actor is a human being and playing a
character onstage or film. Actors are generally expected to possess a
number of skills, including good vocal projection, clarity of
speech, physical expressiveness, a good sense of perspective,
emotional availability, a well developed imagination, the ability to
analyze and understand dramatic text, and the ability to emulate or
generate emotional and physical conditions. Well-rounded actors are
often also skilled in singing, dancing, imitating dialects and
accents, improvisation, observation and emulation, mime, stage
combat, and performing classical texts such as Shakespeare.

Theatre is about 2000 years old profession but we always have new
life in theatre we create hope, we create future, we create life, we
create Dream. Theatre is all about of life. Theatre roots that go
back to ancient Greece. With the beginning of the civilization 
theatre became a part of civil society. From West End theatre to
Broadway theatre actors are proud of being a part of theatre and the
audience are more excited and respectful for theatre.  Theatre is 
modern culture to West End to Broadway and will be forever. Every
theatre has a  language of expression from Nepal’s production to
New York’s Broadway production there is a language of  creation. We
all create something new all time but only the way of creation is
difference.

In the ancient Greek theater, acting was stylized; indeed, the large
outdoor theaters made subtlety of speech and gesture impossible. The
actors, all men, wore comic and tragic masks and were costumed
grotesquely, wearing padded clothes and, often, artificial
phalluses. Nevertheless, there were advocates of naturalistic acting
even at that time, and actors were held in high esteem. Actors were
like a puppet Director direct every movement, action and feeling. What
to do and how to do. Actors did not need to research about the
character they playing. They did not even understand the 
character. If director found you like a character he is looking for
his play you could be on stage.

During the Christian period in Rome, acting almost disappeared, the
tradition being upheld by traveling mimes, jugglers, and acrobats
who entertained at fairs. Modern professional acting began in the
16th century. Acting in the 20th century has been greatly influenced
by the theories of the Russian director Constantine Stanislavsky. An
advocate of ensemble playing, he believed that an actor must strive
for absolute psychological identification with the character being
portrayed and that this identification is at least as important as
mastery of voice projection or body movement. Stanislavsky’s
theories were popularize after 1931in the United States.
In Today’s world of theatre  actors are practicing their
skills. There is no limit of acting. No actor is success unless he
feels inside as long as he lives that he is good himself in Acting.






















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